“Making meaning in writing and making meaning in reading both have to be newly thought about” (35).
This quote from Kress goes along with what we were talking about in terms of the way we defined (or redefined) literacy in class last Tuesday. The concept of literacy is more than simply knowing how to read a text (a term whose definition Kress asks us to reconsider as the screen has overtaken the page as the dominant media of “texts” in the era of new media—“A theory that deals with multimodality comes up against the need for a usable definition of text, given that our present sense of text comes from the era of the dominance of the mode of writing, and the dominance of the medium of the book” 36). Literacy is also comprehension and more importantly the ability to appropriately, effectively and creatively convey a message to an audience whether through words, images, a combination of both, etc. Kress refers back to this concept over and over again in different ways throughout these two chapters. He talks about literacy in terms of an “author’s” ability to know the situation, know his audience and then know how to frame and deliver the message in way that is effective under those very particular circumstances—in other words to be literate is to be aware of the rhetorical situation (39, 49, 50). This is applies whether the “author” is a writer, a designer, etc.—anyone who creates “texts” in Kress’s interpretation of the word.
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